Marsh Hawk Review



Eileen R. Tabios


     
From “The Diasporic Engkanto’s Diary”

     
     
Chant #1,000,013

Surely you suspected my intimacy
with men who, faced with moonlight,

pull down hat brims or woolen caps?
Sssshhhhh, I can hear your eyes

before you become once more
an etched seam. A blank line

___________________________________
for me to fill in the narrative

I desire. I desire you whispering—
your lips nibbling each letter

to concede with a gaze turned
away—to live is to collaborate.

Your face is now a blank screen. You
are both intimate and distant

like incense or lovers behind a thin motel
wall or a priest behind a latticed screen.

But you professed to be moved when
I wept. You invited me to take

off my shoes, loosen the top buttons
of my blouse, unpin my hair combs,

though also pretending you have never
been the role you now refuse: Home.


     Chant #1,000,066

“We’ve never met. But I love
your poems so much I swear

I’d recognize you if we passed
within 10,000 feet of each other

in a city of skyscrapers atop skyscrapers
bulging with 10 gazillion inhabitants.”



Uh. Okay. Messages like this
are my due. But I keep forgetting

whether you slit wrists to write love
letters or I intercepted a mortal’s life.

A bee buzzes by the plump lemon
slice failing to sweeten water, or its ice.



I am reminded of a hay(na)ku buckling
under the title of “Useless Wisdom”:

Only stars outnumber
the buzzing
mosquitoes.